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A perforated celluloid film strip with a sequence of images on it was rapidly spooled between a light bulb and a lens, creating the illusion of motion (Britannica). The kinetoscope was a cabinet with a window through which individual viewers could experience the illusion of a moving image (Gale Virtual Reference Library) (British Movie Classics). In 1891, the inventor Thomas Edison, together with William Dickson, a young laboratory assistant, came out with what they called the kinetoscope, a device that would become the predecessor to the motion picture projector. While the experience of watching movies on smartphones may seem like a drastic departure from the communal nature of film viewing as we think of it today, in some ways the small-format, single-viewer display is a return to film’s early roots. The Beginnings: Motion Picture Technology of the Late 19th Century
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Nonetheless, after reading this section you will understand the broad arc of the development of a medium that has captured the imaginations of audiences worldwide for over a century. The history of the cinema is complex, and for every important innovator and movement listed here, others have been left out. Since then, the industry has seen extraordinary transformations, some driven by the artistic visions of individual participants, some by commercial necessity, and still others by accident. The history presented here begins at the culmination of these technological developments, where the idea of the motion picture as an entertainment industry first emerged.
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The movie industry as we know it today originated in the early 19th century through a series of technological developments: the creation of photography, the discovery of the illusion of motion by combining individual still images, and the study of human and animal locomotion.
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(I could have told them how to fix it - actually fight TO THE DEATH, removing the rule allowing combatants to surrender and live after all, nobody's allowed to surrender in DEATH RACE.or even HUNGER GAMES, which is supposed to be a kids' movie!) Anyway, this is an excellent movie if you like films about prison, racing, or future dystopias. They also show several episodes of DEATH MATCH, the reality show where prisoners fight to the death supposedly it was not violent enough and got poor ratings.
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We also go behind the scenes at the corporation that owns Terminal island prison, as well as more scenes inside the prison itself. In DEATH RACE 2, we see a lot more of Lists, 14K, and especially Frankenstein. In DEATH RACE, we glimpsed interesting minor characters whose parts were mere cameo appearances. It didn't beg for a sequel, it begged for a prequel - and so we got DEATH RACE 2, which is BY FAR the better of the two films. DEATH RACE was a good film, but the storyline felt like it started in the middle of the action.